“I can’t recommend the work of Lizzie Conrad Hughes and Shake-scene Shakespeare highly enough.
I first came to “cue script work” as a performer and it unlocked something. There’s something almost spooky about it. For the audience, it takes Shakespeare to a completely different level and makes you realise that he was even more clever than you thought: all the discoveries and surprises in the text are heightened in the most incredible way when the performers only have access to their part of the text. It’s magical.”